![]() Oh, and levels that don’t over-egg the pudding with non-murder objectives. ![]() ![]() Mendoza ranks highly purely for letting him describe wine as only a serial killer would. But I’m mostly drawn to levels that make specific use of qualities inherent to that place (so, not just dropping another chandelier on someone), that bring together individual targets into grand acts of chaos, and that let David Bateson deliver lots of arch line readings. My criteria for quality? I enjoy the escapism of Hitman’s world travel, so some of the list doubles as dream holiday destinations.
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